Creative Practice as Mutual Recovery

NCT ID: NCT01906892

Last Updated: 2015-11-26

Study Results

Results pending

The study team has not published outcome measurements, participant flow, or safety data for this trial yet. Check back later for updates.

Basic Information

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Recruitment Status

COMPLETED

Clinical Phase

NA

Total Enrollment

150 participants

Study Classification

INTERVENTIONAL

Study Start Date

2013-11-30

Study Completion Date

2015-04-30

Brief Summary

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This study explores the hypothesis that mental health service users, their carers and musicians can - through the creative act of music learning and performing - mutually enhance wellbeing through the development of more meaningful and resilient lives. The project seeks to explore three interconnected issues: (i) the extent to which music learning and performing provides a forum for 'mutual recovery' among adult mental health service users, their formal/informal carers, and musicians, (ii) the characteristic features of 'mutual recovery' through music, and (iii) the underlying mechanisms of such 'mutual recovery'.

The study will consist of three different stages. Stages 1 and 2 will examine the effect of a variety of group activities - including participatory music, listening to live music, listening to recorded music and a non-music control - on psychological scales, saliva samples of stress hormones and cytokines, and subjective experience to see which provide the most relaxing, sociable and supportive environments for mutual recovery. Stage 3 will explore the impact of musical interventions over longer periods of time.

A systematic review we have just carried out has revealed a major gap in research comparing different music interventions and testing the effects of different lengths of interventions. As a result, our study should help us answer the following questions:

* Which aspect(s) of music can contribute to mutual recovery?
* Do carers, patients and musicians all respond to the same activities, or do some musical activities suit certain groups more than others?
* Do carers, patients and musicians all recover at the same rate?
* What length of intervention is most effective?

If certain interventions are found to produce stronger results than others, these results could help guide community groups and healthcare settings in their design of music activities and have implications for the spending of arts-in-health budgets.

Detailed Description

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Conditions

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Individuals Experiencing Mild or Moderate Mental Health Issues

Study Design

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Allocation Method

RANDOMIZED

Intervention Model

CROSSOVER

Primary Study Purpose

SUPPORTIVE_CARE

Blinding Strategy

NONE

Study Groups

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1a

6 weeks of group drumming workshops

Group Type EXPERIMENTAL

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

1b

6 weeks of group drumming workshops

Group Type EXPERIMENTAL

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

2a

2 weeks of active group drumming followed by 2 weeks of control activity involving a literary-based activity

Group Type EXPERIMENTAL

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

Comparative activity

Intervention Type OTHER

Taking part in a literary-based activity

2b

2 weeks of the literary-based comparative activity followed by 2 weeks of watching live group drumming

Group Type ACTIVE_COMPARATOR

Group drumming (live)

Intervention Type OTHER

Listening to live performances of group drumming

Comparative activity

Intervention Type OTHER

Taking part in a literary-based activity

2c

2 weeks of listening to live group drumming followed by 2 weeks of listening to recordings of group drumming

Group Type ACTIVE_COMPARATOR

Group drumming (live)

Intervention Type OTHER

Listening to live performances of group drumming

Group drumming (recorded)

Intervention Type OTHER

Listening to recorded performances of group drumming

2d

2 weeks of listening to recorded group drumming followed by 2 weeks of participation in group drumming

Group Type ACTIVE_COMPARATOR

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

Group drumming (recorded)

Intervention Type OTHER

Listening to recorded performances of group drumming

3a

10 weeks of participatory group drumming workshops

Group Type EXPERIMENTAL

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

3b

10 weeks of engagement with other non-musical social activities

Group Type ACTIVE_COMPARATOR

Group drumming (participatory)

Intervention Type OTHER

Active participation in group drumming workshops

Interventions

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Group drumming (participatory)

Active participation in group drumming workshops

Intervention Type OTHER

Group drumming (live)

Listening to live performances of group drumming

Intervention Type OTHER

Group drumming (recorded)

Listening to recorded performances of group drumming

Intervention Type OTHER

Comparative activity

Taking part in a literary-based activity

Intervention Type OTHER

Eligibility Criteria

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Inclusion Criteria

* Individuals of either gender and over the age of 18 who are experiencing mild or moderate mental health issues including but not limited to: stress, anxiety, depression etc.
* Individuals of either gender and over the age of 18 who formally or informally care for mental health service users.
* Musicians who are professional workshop leaders and music students training to be professional musicians.

Exclusion Criteria

* Serious mental health problems which might

1. prevent an individual from giving informed consent
2. cause the individual to be a disruption to other participants
* Individuals for whom the music activity might conflict with other routine care.
* Individuals with gum disease which would invalidate saliva samples.
* Total deafness or severely impaired hearing.
* Musicians or music students who apply to participate in the project but who are not deemed to have sufficient experience or expertise.
Minimum Eligible Age

18 Years

Eligible Sex

ALL

Accepts Healthy Volunteers

No

Sponsors

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Royal College of Music

OTHER

Sponsor Role lead

Responsible Party

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Responsibility Role SPONSOR

Principal Investigators

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Aaron Williamon, PhD

Role: PRINCIPAL_INVESTIGATOR

Royal College of Music

Locations

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Centre for Performance Science, Royal College of Music

London, , United Kingdom

Site Status

Countries

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United Kingdom

References

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Fancourt D, Perkins R, Ascenso S, Carvalho LA, Steptoe A, Williamon A. Effects of Group Drumming Interventions on Anxiety, Depression, Social Resilience and Inflammatory Immune Response among Mental Health Service Users. PLoS One. 2016 Mar 14;11(3):e0151136. doi: 10.1371/journal.pone.0151136. eCollection 2016.

Reference Type DERIVED
PMID: 26974430 (View on PubMed)

Fancourt D, Perkins R, Ascenso S, Atkins L, Kilfeather S, Carvalho L, Steptoe A, Williamon A. Group Drumming Modulates Cytokine Response in Mental Health Services Users: A Preliminary Study. Psychother Psychosom. 2016;85(1):53-5. doi: 10.1159/000431257. Epub 2015 Nov 27. No abstract available.

Reference Type DERIVED
PMID: 26610172 (View on PubMed)

Other Identifiers

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AH/K003364/1

Identifier Type: -

Identifier Source: org_study_id